Officially Now A Member Of The Ward Nasse Gallery!

by Micci Cohan on September 3, 2010

I have just become a member of The Ward- Nasse Gallery and really excited to have my work exhibited and for sale in their Salon along with prints and some originals on paper.  I have been spending much time lately just dealing with re-organizing all my paperwork: rewriting my resume, statement and bio which are up now on my website and just getting the studio really organized.  I just can’t wait to get back to painting and anxious for some kind of cool breeze to come in through my window some time soon now that it’s September, Yay! I love the idea of September! Hope you all  have a great holiday weekend!

The Ward-Nasse Gallery

178 Prince Street
New York, NY, 10012
Hours
Tues – Sat 11-6 pm
Sundays 1-6 pm
Tel (212) 9256951
Fax (212) 3342095

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“Summer In Soho” Exhibit, Ward-Nasse Gallery, NYC

by Micci Cohan on August 24, 2010

I want to give a big thanks to all of you who came to check out the show, everyone at Ward- Nasse Gallery and the curator Basak Malone. The night overflowed with unmatchable energy.  I so enjoyed talking to everyone and meeting so many wonderful people.  As well as  having monthly exhibits, Ward-Nasse has a year round salon in the back of the gallery where all modes of contemporary art are exhibited, from traditionally executed works to more experimental art forms.  As soon as you walk in to the gallery you can really feel the level of dedication they have for the artists and you are sure to have a truly unique and stimulating experience. All photos below taken by Steven Smith/Imaginare Co.

Thanks Again everyone! More photos at: Guest of a Guest

Photograph by: Steven Smith/Imaginare Co.

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New Painting, “August Thrush”

by Micci Cohan on August 15, 2010

"August Thrush", 2010 Oil, acrylic, ink & collage on canvas, 36 x 50 1/2 inches

I tacked up this delicious big piece of new canvas one night and it was when I started to feel more at home in the new studio over time the late night swipes and slashes with the brush dipped in many a color began.  With my head totally devout of any plan, what I call the “throwing stones and let it ripple” plan, I hastily jumped on the back of a new journey.

In the beginning stages it was a little Kandisky-esque, gestural markings, saturated colors and a lot of rhythm, I loved it at that stage but it wasn’t saying anything to me, then one night I came in and painted in big black runny letters,” Cat claw fever clutch that golden ray” over the whole painting which is still a bit visible. Using bigger brushes, I started to make the larger characters on the right. I really just wanted to just feel my arms moving, my shoulders rotating, my whole body going into it more, very much wanting to take advantage of my now much larger space,Yay!

And then Hark! The three classic figures came sneaking in, but of course they did, because I’m always chasing tradition with my tail wagging like the utterly devoted dog. The children represent longing, innocence, fear, and the mother is all about strength, protectiveness, maturity and openness. All of these emotions entangled with in me, on the surface at that moment of painting. Since I can remember, when I paint birds they only signify one thing and that is freedom and it is here in the scene I imagined the bird circling round and round representing the ultimate feeling of freedom. That feeling of letting it all just simply be.
I could go on here actually because so much more is becoming visible to me but I don’t think more is actually necessary most times because it leaves nothing then to the imagination and there’s nothing quite like killing a painting with words!  Most times a painting takes years to reveal it’s true colors and that is such a sacred part of painting for me. So alas! there you go, my August thrushhh! to the till!

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My Jewelry Worn By Esperanza Spalding!

by Micci Cohan on August 15, 2010

Very Excited! My necklaces were featured in some of Esperanza Spalding publicity photos for her new album, Chamber Music Society, which will be released on August 17, 2010. I’m a huge fan of this outstanding 25 year old jazz bassist and singer and totally elated that she’s wearing my jewels. For a sampling of the album you can hear at NPR Music.

Photographs by Sandrine Lee

The “Medina” necklace she is wearing in 2nd photo is available still at Etsy.

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Otto Dix Exhibit At The Neue Galerie,NYC

by Micci Cohan on August 12, 2010

The Neue Galerie New York presents “Otto Dix,” the first solo museum exhibition of works by this major German artist ever held in North America. This show was outstanding! and beautifully exhibited. The German expressionists were the artists I was most inspired by in my early 20′s and Otto Dix had a huge impact on me then and still does. I’ll never forget the first time I saw one of his paintings, the brutal honesty, hiding nothing and exposing everything. Purely captivated, I marveled at his ability to capture such vivid scenes and was quite enchanted by his ruthless and shocking realistic depictions of the retched battlefield, louche ballrooms, stout society burghers, limbless veterans and bedraggled prostitutes.

More than almost any other German painter, Otto Dix (1891-1969) and his works have profoundly influenced the popular notion of the Weimar Republic. His paintings were among the most graphic visual representatives of that period, exposing with unsparing and wicked wit the instability and contradictions of the time. The critic Paul Ferdinand Schmidt described the artist in 1926: “Dix comes along like a natural disaster:outrageous, inexplicably devastating, like the explosion of a volcano. One never knows what to expect from this wild man.”
The exhibition includes more than 100 masterpieces by Otto Dix, and addresses four themes. The first is Dix’s traumatic experiences as a soldier in World War I. The second is portraiture, a genre at which the artist excelled. The third is sexuality, a key theme in the Dix oeuvre. The fourth is religious and allegorical painting. The show includes the work that Dix is best known for—paintings from the so-called “golden Weimar years”—but to contextualize them, it also includes Dix’s work from the early 1920s, as well as his later work, produced as veiled protest against the Third Reich.

The Neue Galerie is a museum devoted to early 20th century German and Austrian art and design and is located in a landmark mansion built in 1914.  Seeing any exhibit here is a real treat because of  the grand character of the space.  I find myself not only looking at the art but also at the amazing early 20th century detail surrounding it. The book store, the former library of the mansion, is a masterpiece in itself and I could spend literally hours in there.

“Otto Dix” continues through Aug. 30 at The Neue Galerie,

1048 Fifth Avenue, at 86th Street; (212) 628-6200, neuegalerie.org.

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New Studies/Paintings

by Micci Cohan on August 5, 2010

Thought I would share some pieces I’ve been working on lately.  I am doing real quick sketchy paintings like these and rekindling my love for newsprint.  Hope you all have a great day! And again, are staying cool!

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“This Afternoons Rendezvous,” New Painting

by Micci Cohan on July 30, 2010

I’ve been pushing lately to be more fluid, to paint faster and not to contemplate so much because I know this keeps the painting breathing, and alive more. I had been looking again at Toulouse Lautrec, mostly his paintings of the singers and dancers at the Moulin Rouge and absorbing the gestural brush work, the blocks of colors, the energy from the rapid execution he had most likely painted them with. I painted the woman right over an older piece that was just not doing anything for me. The figure is from a photograph that I always kept around because I loved not only the classical pose and the colors but her turn of the century feel, something I have a big addiction to.

I’m starting to have a sense of whats going on in this piece, there’s always a story and with more time it slowly starts to unravel and that’s the shining moment. As with most of my work, this painting is autobiographical, I am represented here by the woman who stares outward and away from the outer world that can give so much noise at times it impedes on my creative self. The demon like character on the right of her symbolizes the critical self. While creating this piece I experienced a great relief, like coming out of a period of a weary battle that had been clamping down on me for a long while.

Here are two of my favorite quotes by Vincent Van Gogh on color that so nail it!

“I want to paint men and women with that something of the external which the halo used to symbolize, and which we now seek to give by the actual radiance and vibrancy of our colorings.”

“…. instead of trying to reproduce exactly what I have before my eyes, I use color more arbitrarily so as to express myself forcibly.”

Hey! Have a great weekend everyone and enjoy this amazing weather that hopefully will stick around for a while!

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